I'm always interested in how an artistic rendering comes to be named. When I interviewed master weaver Clare Matthews for a profile in WELD http://www.weldbham.com/, I asked her about the naming of her rugs/wall hangings.“I only name my pieces if they’re going to be in an exhibition or gallery. They insist on a title, not Rug 40 or Rug 41. So sometimes I ask myself what does this remind me of?”
Clare and I met at a poetry reading in Leeds. The pattern of her published piece in Birmingham Arts Journal reminded her of the game Tiddledywinks; thus, its name. “The way the little round pieces flip up in kind of half circles, and then they’re moving, and they come back down again. Always nice bright colors in shiny plastic.”
She is pictured in front of both her cool and warm colors. A portion of her wall of collected cards, the passementerie, the creel, and a circular table mat she freehanded after seeing a similar one in the American west are shown here.
The picture of Clare seated at her loom on the web site is much better than one I could take. See it at http://www.mattfinishfibers.com/.