Tuesday, October 26, 2010

Twin Sisters

Annie Bell Poole and I are twins.
Twins of a sort. She was born on March 25, 1925, to Tempie Savannah Taylor Smith and Jewell Smith who were married on April 2, 1924. Every two years or so thereafter,Tempie gave birth until she had a hysterectomy in the early fifties. I was born in 1942 when Mama was forty, the tenth of twelve children.
Although there was no shortage of family names since Grandpa Taylor alone had fathered twenty-seven children by two consecutive wives, few of our twelve were named for family. Annie Bell’s middle name was the name of Jewell’s sister, and my first name was the first name of his mother, Mary Josephine. Ironically, she and I are more like Daddy than any of the rest, including the boys.
We both got his looks, his build, his thin chin, his short hands and fingers (along with their arthritic joints), his sometimes-sharp tongue, and, mercifully, his love of a good laugh and a ready wit. We both are verbal learners, so a radio works just as well or better for us than a television. Toward the end of Daddy’s life, he had three radios: one for the weather, one for the “funerals,” and one for the Christian “stories,” which had taken the place of “The Lone Ranger” and “Sky King.” Those I used to adore listening to as we sat in straight-backed chairs which Mama had caned with White Oak strips.
From Mama Annie Bell and I both possess a love and sensitivity for young children—any young child—so strong that we will not stand by for anything we consider hurtful to one. And for our grandchildren—well, we’d take a bullet for any one of them without question. From Mama we also learned the art of making do in—in the kitchen and elsewhere. If you don’t have this, then you can use that. I’ve heard this over and over again about ingredients for recipes, about scraps for quilting, about fertilizers for a garden. We learned the art of preservation, something Annie Bell has generously fine-tuned for me because the abundance of summer and fall harvest season must not be allowed to go to waste.
Annie Bell and I do have our differences. When I told a friend in the eighties that I, too, had grown up as poor as a church mouse and that we were sharecroppers, she said, “You’d never know it. You’ve managed to squeeze out any signs of the country you had in you.”
What a pity, this standardization and burden brought on by education and college degrees. Annie Bell still has a lot of the country in her. She has a colorful vocabulary and pronunciation of words I’ve nearly forgotten from our family. A snake quoils up (pronounced like a long i); one grabbles taters; grass is as thick as hops; thinning corn with a hoe; turnip greens juicy with their pot likker; brars, not briars; tars, not tires; tote, not carry; lids are leds; one sleeps in a shimmy-tail and wears step-ins, not panties; one weighed a sack of picked cotton with the big or little peas (I finally learned peise).
I picked very little cotton: another dear sister, Lennie Bell, babysat me and Marie in a shady spot at the end of the field. Later I would beg my siblings to give me a ride on their cotton sack.
Annie Bell has mastered an art which I struggle sometimes to emulate with my writing: making something from nothing. After her husband died and her daughter built a new house with a basement apartment for her up in the country near Phillips Chapel and the intersection of Northside Road with Mormon Road, she decided she wanted some water oak trees like the one she had in her front yard in Northport. She planted acorns from that tree in Northport and now she has at least three water oak babies which are about knee-high started at her new home.
At her home in Northport when we walked around her house, she would point out to me what the flowers were and who had given them to her to root. She had taken several limbs from shrubs at my home in Prattville to root and they looked wonderful. She had also rooted hostas from that yard. She had a camellia from Len, a hibiscus and a trumpet from Ree, and day lilies from lots of sources. She never seemed to buy anything, including fertilizers. Horse manure worked best.
When she moved up into the country with more room to plant things, she wanted a few fruit trees planted. So after just a handful of growing seasons, this past summer she picked blueberries and the first Golden Delicious apples. I got some of the blueberries for pies and she dried and froze the apples for future fried apple pies. Her little orchard stands in a straight row at the edge of their property—the blueberry bushes and the apple tree plus two fig bushes (very tricky—must have a male and female in addition to a fig bee to pollinate the bush); a red apple tree, and a pear tree.
Judy, Annie Bell’s only daughter with whom she lives, dropped her off here two days ago so that she and her husband could drive to Destin to check on her brother-in-law who had a medical emergency. It didn’t take Ann long to spot Daddy’s old shoe last sitting on a high shelf in my small laundry room. I have kept a few of the old country things that survived Mama’s early demise. As the baby, I somehow ended up with the family’s cotton scale and the peise, both big and little. They sit there, too, with the shoe last which Daddy repaired shoe soles on, a small rub board Tommy used in college to wash socks on, a dasher from a churn—the churn broke long ago, some quart-sized blue canning jars with glass lids and metal fasteners, and some early Coca-Cola trays.
How quickly she recognized everything that was there, and we reminisced about some other things Mama used and didn’t know where they had “got off to.” Mama’s circular sifter with wooden sides that she used each morning to make several large pans of biscuits for her hungry family; the battling board that she used to beat clothes with or stir them in the black washpot when she was boiling them to get ground-in dirt from the knees of denim overalls; the big rub board; the old trunk that had sat in the sideroom all of my life holding the few remnants of our Taylor and Smith grandparents; the kitchen table with the bench made by Grandpa Taylor—how do concrete things simply dissipate we wondered?
Most of the time now she calls me Sister, and I call her Ann. She remembers more about the old days than she does about what I told her five minutes ago about making chicken salad. We tackled that project to keep ourselves happily busy in the kitchen while she was here. I had planned to make a batch and take some to my daughter, Teresa, because she loves it. We would bake some blueberry muffins and have a fine little lunch to take. When I called Teresa the night before, she had a surprise announcement: she had to make a vat of chicken salad the next day to take to Nicholas’s school. How fortuitous that Ann and I were poised and ready to take on that project.
We shopped for some chicken breasts at Publix. Bone-in, of course and skin on. That way we could drop in an onion, a stalk of celery, and a carrot and have a delicious stock left after we boiled the breasts. We would freeze the stock for soups, standard operating procedure for both of us.
I asked Teresa to choose a recipe. She had planned, without thinking it through, that she would used the recipe we always use with mandarin oranges, grapes, and nuts. We all three laughed when we thought of smearing two slices of bread with oranges. Not possible. The recipe Teresa came up with was from the Barefoot Contessa—a tarragon chicken salad. Tarragon happens to be one of our favorite herbs—I make my own vinegar with fresh tarragon and use it with salad oil for a simple, but delicious dressing. We also like the tarragon chicken at Continental Bakery. Since we liked it, I guessed Ann would as well, and she did.
The recipe called for baked chicken, but we ignored that suggestion and did our usual boiling. The addition of tarragon, celery, a little mayo, salt and pepper was all the cooked chicken needed.
But I can always gild the lily when it comes to kitchen projects. And Ann was right there with me all the way: we made two loaves of light brown bread for Teresa to use for the sandwiches. She assembled them right before taking them to the school early the next day.


Ann remembers the day I was born. She and the other children were sent away from our house at Bryce Logan’s place to Monkey Sanford’s birthday party. He was an old cousin of ours on Mama’s side. Doc Guin would bring his son, J.C., that day and ask Daddy’s permission to deliver me for practice. I was his first baby. Ann remembers coming home from the party and hearing me cry before they reached the house.
Ann has been diagnosed with hardening of the arteries, dementia, or Alzheimer’s this summer. She has a history of a stroke, and more recently a hemorrhagic stroke. She may lose a lot of her memory, but I’m counting on hearing the old stories over and over again.
One of my favorites is a story she told about her oldest brother, William Eura, who was just under her. She and William were walking with Mama to the spring to get some water down under a hill and William got tired of walking.
“Mama, tote me,” William cried.
“I can’t. I’ve got a bone in my leg,” answered Mama.
“Give me a pin, Mama, and I’ll pick it out,” William said.
We both had a good laugh imagining that scene again, remembering those we love now gone. We finished washing and drying the bread pans, cleaned the counters, took dish cloths to the laundry room, and made the kitchen tidy. Twins to the end, we would never leave a single dirty dish in the sink.

Saturday, September 18, 2010

New Web Site! Finally!!

So last night I "published" my little effort at creating a new web site for my writing which I could manage myself. I've actually been working on this project since my trip to Maryland in July when my buddy, Teresa, convinced me that it was possible.

Possible, yes, but will it ever be what I've envisioned it to be??The first thing I noted was that I had a pic covered up with words. I've tried to correct that this morning but we shall see. If you have a minute to check it out, I would be grateful. Suggestions anyone?

www.kathleenthompsonwrites.com.

(How do I rid myself of the GoDaddy muckamuck on the home page??)

WordSpinning by Kathleen: www.kathleenthompsonwrites.com

WordSpinning by Kathleen: www.kathleenthompsonwrites.com

Monday, August 30, 2010

www.kathleenthompsonwrites.com

Why am I not surprised that building a web site with GoDaddy.com was not as easy as I thought it would be? How many times have I jumped into a project, excited, a little overwhelmed, but certain it was just what I needed to do--only to discover o-ver and o-ver again, that the project is way above my pay grade technically?I'm worse than Charlie Brown trying to kick that football each fall.

If one could only lay hands on a human being in this process after spending hours designing a page, importing photos, shrinking photos, only to lose every smidge of the work with no clue why or how. But if one could get hold of a human, it would not be a pretty sight. So, better to throw things around the empty room or just grind one's teeth.

And then what? Well, I'll just practice here for a bit what I intended to do there: write. Not so much write followed by an object, write a sonnet, a ghazal, a short short, a lyric essay--but write. Simply write. Write. Maybe I'll keep a weather journal as suggested by Ellie Bryant to her students.

The weather has been reading weather today--overcast, occasional sprinkle; yet, I've done a lot of other stuff. Yesterday I had what I thought was a general malaise that really turned out to be chills, fever, and nausea. So, waking up feeling normal this morning after a sick day is the great motivator. I immediately set about to bake four loaves of Healthy Banana Bread. Teresa had provided four very ripe bananas and I had four. Four ripe bananas = two cups=two loaves of banana bread. Easy, peasy. I've done laundry, organized over 150 emails from the past month, read a few stories, cooked some veggies and a skillet of corn bread. Being home all day is motivating as well. On a typical day I go to play with my babies and don't return home until about seven.

I'm reading Olive Kitteridge with a pen in hand, hoping to learn something and to remember what I've learned. Taking notes helps. Strout is the master of timing in these stories. She throws a little teaser of a fact out there about a character, and a few paragraphs later, or a story or two later, you get a fuller idea of why she provided this earlier nibble. I've never read anything quite like this group of stories. Of course, the reason I bought them in the first place is because I'm writing a series of linked stories.

Her setting in Maine is essential and adds such a layer of interest. Picking starfish out of the sea and placing them on rocks to dry. Think of it. Putting dried starfish in fish netting to decorate windows. Think of that. Setting is one thing I plan to work on in revision. Most of my stories are set in Tuscaloosa, but Northport is far more distinctive in a way. I have more emotional ties to Northport, I suppose. Yellow Front Store where Mama bought flour and lard. Faucett's where my first overcoat was bought on credit, I'm sure. The cotton gin. The Warrior River--my old Uncle Bill could remember when it was so clear you could see right to the bottom of it. I know those details aren't in the race with drying starfish, but one has to work with what is there. Right now I'm just trying to get that first draft down.

Elizabeth Strout teaches at the brief residency writing program at Queens College. Would it be possible, I'm wondering, to take a semester of study with her? Funny, I was making application to Queens, Warren Wilson, and Spalding when I met Sena at her first signing for Ahab's Wife. When I told her I was making application to three schools, she said, "You'll do well wherever you go because you're so excited about it." That initial generosity convinced me to go to Spalding; not surprising it pervades her entire program. I've also considered going to Italy with the Spalding folks and studying CNF next summer, but why spring into YET another genre at this point?

In what lifetime will I decide that I simply have to get to the writing itself?? Seat myself here day after day and write. If nothing comes from my writing that anybody on the planet cares to read, so be it. The process is mine: the joys, the fears, the let-downs. Nobody can hold it up to the light and reject it. I own it.

My report on the new web site: I have created two simple pages, the home page, and a showcase page which lists my poetry books for sale. Nothing fancy. Just two pages. I'll report when and if there's futher progress.

Monday, August 2, 2010

"Because I could not stop for Death..."

Emily Dickinson is right. As busy as our lives are, as complicated as our schedules become, there is no avoiding death. Our own, certainly, and that of others as well.

This month has been fun-filled with celebrating birthdays, picking blackberries, teaching children at the Sail Away Cinema in VBS--but like the ticking of a grandfather clock in a still bedroom, Grief is always there lurking on the periphery, ready to jolt us with its savage grip.

Two dear friends have died this month. Another is on the verge of dying. A beloved family member is being robbed of her reason by take-your-pick aging ailments. It all makes me stop and take stock. It makes me consider other losses leading up to that greatest one. It makes me wonder which is worse.

IN MEMORIAM: Jewell Smith, August 2, 1904-September 9, 1993

(Coming soon: http://www.kathleenthompsonwrites.com/ where I will be doing more mulling over and more writing.)

Tuesday, July 20, 2010

Blue Mt. Retreat: Day Two



What were you doing this morning between 6:30 and 8:30??

Here I am after two hours in the no-briar blackberry patch! In the pic I'm holding my compensation for my picking 9 quarts of blackberries: one quart of berries, one quart of Roma tomatoes, and some basil for bruscetta tonight.

When I arrived at the gardens at the foot of the hill where we're staying, Beth sent me to the hoop house (not a greenhouse although it appeared to be one) to gather the basil. She then outfitted me with a broad-brimmed hat doused with SkinSoSoft to ward off the swarms of gnats that seem to abound at the garden. She introduced me to her neighbor who sometimes helps her out with vegetables she needs. (I actually think he provided the tomatoes I took because Beth's tomatoes were barely turning.) I was given a picker to use which was an empty quart-sized container threaded with hemp to go over your head. That left both hands free to pick--very ingenious. Once I picked that container full, I emptied it into the flat of pints. Finally I filled 12 generous pints and moved on to a flat of quarts. After two I decided it was time to get back to the writing life, so I picked one more quart to take along. Quite a productive morning.
That is not to mention the added joy I had with Mary, a neighbor who also came to pick. Turns out, she is quite the reader and recommended many summer books for me. She works at the McClellan Museum near here. That perked me up because my mother-in-law met my father-in-law when he was stationed at Ft. McClellan in Anniston, AL. She is also a gardener and comes to pick for Beth here in order to also "pick" Beth's brain about organic farming. High on her reading list was a book called Olive Kitteridge by Elizabeth Strought. This is a book of linked short stories. No way could Mary have known that I, myself, have a current writing project of linked short stories with a protagonist named Clyde!! Would you believe Strought's book won a Pulitzer?? Once I get settled down here and stop gardening, I will now be eager to resume my work on that project.

I believe in signs. I was supposed to be in that patch picking berries this morning with Mary. It's just like Patti's experience here. She had an epiphany this morning about writing a children's story about flying animals--those you don't expect to fly. Then when she went outside, a beautiful butterfly landed on her finger and wouldn't leave her.
That, to me, was an affirmation of her idea.

Want to see the finished product from yesterday's blackberries?
Edie sopped the pan! I don't think anyone remembered to take pics after they were baked. The little circular pie is mostly juice topped with the remainder of the pie dough. We were too hungry from the good smells from the oven to take pics. We ate it topped with lemon sorbet--a little more tartness, a little more sweetness.
And Gayle (who has just fixed me a snack of peanut butter/apple) and Patti are waiting to see if I'm ever going to work a little on writing--


as Bonnie is so diligently doing in the dining room.
So here I go to the real work. . . but, first, maybe I'll have lunch and a little nap. Things are so tough here.






Monday, July 19, 2010

Blue Mountain Retreat--ooweeeee!

I've escaped real life for a week in the woods of western Maryland! Thank goodness I'm not alone like Thoreau. The other writers here have just attended an SCBWI conference this weekend, and I've been involved with writers at home in the Alabama Writers' Conclave.

Deciding which genre to participate in is always a problem for me at any conference, but this weekend was a no-brainer. Recently, I've toyed over the idea of taking a semester of CNF at my alma mater, Spalding U, with Elaine Orr. (Next summer the group will be in Tuscany!! I think I could write some good stuff there.) Anyway, in light of that fact, I stuck mostly with Kathy Rhodes who edits Muscadine Lines: A Southern Journal. www. asouthernjournal.com. (See my published short story there--"Woman's Wait," first issue of 2010.) That she has published my work had a little something to do with my interest as well.

My dear friend Susan Luther was also there presenting poetry, and Jo Kittinger was presenting for children's lit. I managed to sit in on one of Jo's very informative sessions where she, by example with Highlights for Children, showed the writers how to target a magazine market. Susan and I swapped poetry books and some good ideas.

We writers need to learn to listen more for good ideas and speak less. We'd learn more. (I'm talking to myself. Many of us are teachers ourselves and are used to presenting, but much is to be learned from other writers.)

Our writer hostess here is Edie Hemingway. (See http://www.ediehemingway.com/ and also google her great new book, ROAD TO TATER HILL. Great trailer on you tube. Catch up with her also at www.onepotatoten.blogspot.com/ ) Edie and Doug, head chef in the household, live in a log cabin at the foot of a small mountain in very picturesque Frederick. We traveled about thirty minutes west to this idyllic organic farm. On the way we passed Harper's Ferry and the scenery is breathtaking. Right now I'm leaving to pick blackberries. More later.

LATER: I applied sun screen and wore my baseball hat and trusty walking shoes for the trek down the path to the gardens. The katydids and other critters were all tuning up for the day on the shady path down. I tried to recognize trees, but they're so different from Alabama trees I can't name them.

I am equally ignorant of most of the plants in the garden. Beth, the propietor had said the "wall" of blackberries was in the first fenced garden. (Deer I do know!!) It has a rickety old gate she said and the only requirement for picking blackberries is that you close that gate behind you. I first examined the sheds on the premises which had large white buckets for picking, I presume, and small quart-sized recylcled food containers strung with hemp of some kind for picking and holding it on your shoulder, I supposed. Buckets of red geraniums livened up the place as did clumps of flowers planted at the ends of rows in the vegetable gardens.

My first try at opening the gate was a bust. Don't ask me to write a mystery. The wire (I call it hay-baling wire) that held the two parts of the gate together were twisted for about four inches and my hands weren't strong enough to untwist the thing. Not easily bested, I walked on out to Beth's home and called her from the garage. She said, "Did you try lifting the wire up off the slats?" Duh. I hadn't even noticed that possibility. She offered me a small quart container to pick some breakfast berries for the group.

Once inside the garden, I was astonished at seeing so many blackberries so easily accessible. Back home, if I pick blackberries, it is definitely a Br'er Rabbit situation and you'd better watch out or you'll get stuck in the briars. Or worse, encounter a rattlesnake who's afraid of you. He will bite. These blackberries have no briars. And I saw no snakes. And since we're all organic here with no pesticides, guess who ate her fill as she picked? Me, yes. The one with the blue, seedy teeth.

The blackberries were staked and stood taller than head-high in long rows. My first inclination was to go to the far end of the rows because I know the novice will always start on the end nearest the gate. A natural thing. But after I had walked about halfway, it struck me that it didn't matter where I picked because I'd have a quart in no time. My problem would be stopping. When there are fruits or vegetables ready to be picked, I find it hard not to pick everything that is ready. That's how you're trained on a farm. Any time I've ever gone to a peach or blueberry pickin' place, I always have to talk myself into stopping? What would I do with bushels of peaches or gallons of blueberries.

So, about midway of the garden I began picking the most plump, lucious blackberries I've ever seen. They were hanging in large clumps with an equal number of red and purplish-black ones. If you don't know the blackberry, you will be stunned for a moment at the first taste--its tartness, its seeds. But like an infant after its first taste of apple juice you will want more. Lots more.

Edie is dropping Donny Seagraves (a presenting writer at the SCBWI conference) at the airport and Patti Zelch and Teresa Crumpton are along for the ride. Gayle, Bonnie, and I are holding down the fort (we're supposed to be working) here. I've sent a list of ingredients for them to bring back so that I can back a blackberry cobbler sometime this week. Or one every day???

Tune in tomorrow for that story. Meantime check out the web sites of the published writers/friends here:

Edith Hemingway at http://www.ediehemingway.com/
Patti Zelch at http://www.sylvandellpublishing.com/ for READY, SET, WAIT! Search for Author Patti Zelch on Facebook.
Teresa Crumpton, ya writer, has a web site in progress. She has fine-tuned her ya novel and is looking for a good home for it. Visit her on Facebook
Bonnie Doerr at http://www.bonniedoerrbooks.com/. See her blog and try for a free copy of ISLAND STING at http://www.bonnieblogsgreen.blogspot.com/.
Donny Seagraves at http://www.donnyseagraves.com/ or see the blog at http://www.wintervillewriter.com/.
Gayle Payne, our wonderful airport shuttle and fellow poet from Ft. Lauderdale, is here, too. She writes but needs to enter the 21st century--her quote. She has a great body of fiction on different levels, so look out for her!
Kathleen Thompson, http://www.wordforword.com/.

That's who's here. And there.

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  About twenty Birmingham language arts teachers endured my holding forth yesterday in my current gig as a Road Scholar ...